Henry Miller redux

Henry Miller

In an effort to muster up an adequate escape velocity to leave my end-of-summer doldrums behind, I have been re-reading Henry Miller’s Tropic of Cancer. There are too many memorable snippets to excise, and anyway it’s the exuberance and vividness of the sometimes stream-of-consciousness writing rather than individual, underlineable passages that matter (Miller, like Nietzsche, refers to his writing as song. And if that is so, then Tropic of Cancer is an opera inverted; extended arias interspersed with the occasional recitative).

BTAIM, two bits that I love:

Walking along the Champs-Elysées I keep thinking of my really superb health. When I say “health” I mean optimism, to be truthful. Incurably optimistic! Still have one foot in the nineteenth century. I’m a bit retarded, like most Americans. Carl finds it disgusting, this optimism. “I have only to talk about a meal,” he say, “and you’re radiant!” It’s a fact. There mere thought of a meal—another meal—rejuvenates me. A meal! That means something to go on—a few solid hours of work, an erection possibly. I don’t deny it. I have health, good solid, animal health. The only thing that stands between me and a future is a meal, another meal.

And this:

Everything is packed into a second which is either consummated or not consummated. The earth is not an arid plateau of health and comfort, but a great sprawling female with velvet torso that swells and heaves with ocean billows; she squirms beneath a diadem of sweat and anguish. Naked and sexed she rolls among the clouds in the violet light of the stars. All of her, from her generous breasts to her gleaming thighs, blazes with furious ardor. She moves amongst the seasons and the years with a grand whoopla that seizes the torso with paroxysmal fury, that shakes the cobwebs out of the sky; she subsides on her pivotal orbits with volcanic tremors. She is like a doe at times, a doe that has fallen into a snare and lies waiting with beating heart for the cymbals to crash and the dogs to bark. Love and hate, despair, pity, rage, disgust—what are these amidst the fornications of the planets? What is war, disease, cruelty, terror, when night presents the ecstasy of myriad blazing suns? What is this chaff we chew in our sleep if it is not the remembrance of fangwhorl and star cluster.

Whatever one thinks of Henry Miller (and the courts didn’t much, as Tropic of Cancer was banned in the US for a good 30 years on grounds of obscenity), that motherfucker can sing.

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