The philosophers’ hovels

JG Ballard's room

JG Ballard’s writing room

As an undergraduate architecture student, I often found a strange, ineffable kinship between architecture and english majors.

Maybe it was due to the symmetry between our pursuits of ideal worlds. Or to their difference in kind … The writers, using words, lack materiality of expression yet are equipped with an infinite malleability of meaning. Architects have ‘bricks and mortars,’ but ultimately silent form; it was up to the critics and the theorists (and sometimes, the clients) to derive – often strainingly – the semiotics of their creations. The two occupations revolve around this seemingly exclusive reciprocity, but perhaps it’s this longing, across an unseen, subterranean divide, that fuels and intensifies the mutual appreciation.

Who really knows what it is, but your belief in this mythology of the writer/architect will probably inform your fascination for, and interpretations of, the following photographs, taken of various accomplished writers’ writing spaces.

Alain de Boton's room

Alain de Boton

Seamus Heaney's room

Seamus Heaney

Hanif Kureishi's room

Hanif Kureishi

Mark Haddon's room

Mark Haddon

[via The Guardian]

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